Respondent Instructions and Survey Protocol
Welcome
Thank you for joining this important study of accessibility practices at performing arts organizations.
The purpose of this survey is to gain perspective on the current accessibility practices of a cross-section of performing arts organizations in the US and Canada. This research is part of a larger study to understand the current landscape of accessibility needs and practices in the performing arts sector, with the overall goal of advancing disability inclusion and access. We are undertaking this study in part because we believe there have been significant shifts in public attitudes about accessibility. In designing and implementing this study, we have collaborated with and built on the past work and perspectives of advocates and practitioners working in the accessibility space. We are grateful for the arts professionals and inclusion advocates who have consulted with us on this project and for the members of the advisory committee that is guiding this research.
The survey is open to all performing arts presenters and producers in the US and Canada, and there is no cost to participate. Aggregate survey results will be made available to all responding organizations via an online dashboard.
Your survey responses will be treated as confidential information, and data will be reported in aggregate only. No identifying information will be associated with individual survey responses in the dashboard or reports.
Instructions
The survey should be completed by the person in your organization with the greatest familiarity with your accessibility services.
Submit only one response per organization.
Download the Respondent Instructions and Survey Protocol PDF or Word Document.
Below is a Word Document version of the Respondent Instructions and Survey Protocol.
Below is a PDF version of the Respondent Instructions and Survey Protocol.
There may be questions that require input from other team members. Consult the “Thumbnail Summary of Questions” on pages 4-5 of the PDF to quickly scan the types of questions to see if you’ll need to gather answers from others before you fill out the online survey, or if you feel you can answer all the questions yourself.
If necessary, print out and circulate a hard copy of the survey protocol (pages 6-16 of the PDF) to others in your organization, to collect their answers to specific questions.
Once you have all the answers, or know you can answer all the questions, click the link to the online survey, and complete it. It should take about 15 to 20 minutes, once you have collected all the answers.
The link to the online survey is: https://survey.alchemer.com/s3/7892033/IDEA-Study-Phase-2-Survey-of-Organizations
We also offer the opportunity to take the survey over the phone. Please email john@wolfbrown.com or call 415.696.4416 to schedule a phone appointment.
If you have any concerns about this survey, the language we are using to talk about disability and access, or the way in which we are conducting this research, there is a comment box at the end of the survey where we invite you to share your feedback. You can also email John Carnwath at john@wolfbrown.com. We are always learning and deeply appreciate your comments!
Timeline
Survey launches on July 16, 2024
Survey closes on Wednesday August 7, 2024, at 11:59 pm PT
Dashboard Access
Everyone who takes the survey will have access to aggregated results of all participating organizations through the WolfBrown Dashboard. Findings will be reviewed and discussed in a Town Hall meeting, which will be recorded and placed in our archive.
A written summary of key findings will be made available to the public for free on the Audience Outlook Monitor website, and a selection of key findings will be added to the Public Dashboard available to all AOM community members.
In the survey, we will collect your contact information so that Erin Gold can reach out to you to provide dashboard access after the survey closes on August 7.
Participating Organizations
Thanks to the 102 organizations who have already completed the survey as of November 21, 2024!
Alley Theatre
Ars Nova Singers
Arts Club Theatre Company
Arts Club Theatre Company, Vancouver
Atlanta Jewish Film Festival
Ballet Arizona
Buffalo Philharmonic Orchestra
Cache Valley Center for the Arts
Carnegie of Homestead Music Hall
Cathedral Choral Society
Celebrity Series of Boston
Center for the Arts at George Mason University
CES at Frostburg State University
Chamber Music Tulsa
Charlotte Symphony Orchestra
Charlotte Symphony Orchestra Society
Chicago Symphony Orchestra
Chicago Symphony Orchestra Association
Children's Theatre Company
Cincinnati Symphony Orchestra
City of Lone Tree
City of Tempe
Codes d'accès
Community Concert Hall @ Fort Lewis College
Community Concert Hall at Fort Lewis College
Dayton Art Institute
Detroit Institute of Arts
Detroit Opera
Dixon Hall Music School
East West Players
Festival Bach Montréal
Fox Cities Performing Arts Center
Full Radius Dance
Goodman Theatre
Hancher Auditorium
Harold Green Jewish Theatre Company
Hobby Center for the Performing Arts
Honolulu Theatre for Youth
Hylton Performing Arts Center of George Mason University
Isabella Stewart Gardner Museum
London Symphonia
Lone Tree Arts Center
Long Island Children's Museum
Luhrs Performing Arts Center
Marin Theatre
Marin Theatre Company
Massachusetts Cultural Council
Mayo Performing Arts Center
Metro Theater Company
Middlebury College Mahaney Arts Center
Monterey Symphony
Music on Main Society
Nashville Children's Theatre
Nashville Symphony
New 42
New Haven Symphony Orchestra
New Hazlett Theater
Northbrook Public Library
Northrop at the University of Minnesota
Northrop/University of Minnesota
Olympia Symphony Orchestra
Opera on the Avalon Paper Mill Playhouse
Peninsula Women's Chorus
Pittsburgh Symphony Orchestra
Portland Ovations
Roundabout Theatre Company
Santa Clara University
SC Philharmonic
Scottsdale Arts
SCU Presents Performing Arts Center
Seattle Children's Theatre
Segal Centre for Performing Arts
Segerstrom Center for the Arts
SpeakEasy Stage Company
Studio Theatre
Sunset Cultural Center
TDF
Tempe Center for the Arts
The Ark
The Azrieli Foundation
The Carson Center
The Carson Center for the Performing Arts
The Clarice
The Clarice Smith Performing Arts Center
The Cleveland Orchestra
The New Group
The New Hazlett Center for the Performing Arts
The Royal Conservatory of Music
The Wilma Theater
TimeLine Theatre Company
Toronto City Opera
Toronto Symphony Orchestra
University Musical Society
University Musical Society (UMS)
Vocal Arts DC
Washington Concert Opera
Washington National Cathedral
Wheelock Family Theatre
Wheels & Heels Inc.
Wichita Symphony Orchestra
Wilma Theater
Women's Musical Club of Toronto